The sheepish casual vibe between people who’ve shared an emotional farewell, wordlessly agreeing to pretend that they’ve already moved on. Not even trying to quench the flames anymore, but lighting other flames around their heads just hoping to contain the damage.
Tamir Golan, born in 1999, graduated from Ramat Hasharon’s Alon High School for the Arts. He served in the IDF as an Outstanding Dancer while studying at The Maslool – School Of Contemporary Dance Bikurey Ha’Itim Center Tel Aviv – Jaffa. In 2021, Tamir participated in the 1|2|3 program for emerging choreographers at Suzanne Dellal Centre, where he created three new pieces. His creation ‘Oxytocin’ earned him the ‘Outstanding Creator’ Award in the duet stage, with which he also participated in the RIDCC competition in Rotterdam. Under the framework of the program’s international tours, Tamir was chosen to participate with his works at the Holland Dance Festival (Den Hagg, Holland) and MILANoLTRE (Milan, Italy) and RETE IN DANZA (Vicenza, Italy). In January 2024, he created a new work for the Conservatoire National Supérieur de Musique et de Danse de Paris.
Choreography, Set design and Costume design: Tamir GolanPerformers and Co-creators: Noa Hahn, Stav Azari, Gil Elgrabli
Music: Glenn Gould, Ben Frost & Francesco Fabri, Jerskin Fendrix, Brenda Lee, Connie Francis, Arcade Fire & Owen Pallett
Music editing and Mastering: Tom Almog
Set Construction: Itzik Asulin
Light Design: Netanael Kafka
Stage manager and Production: Shully Tseiger
Program and Logo Design: Shani Zargary
“Tomorrow’s Gone” co-produced by the MART foundation.
Thanks to: Roy Assaf, Ofer Laufer, Yael Venezia, Boaz and Einat Golan, Inbal Pinto, Reches Itzhaki, Roi Padan ReplyForward
